《梅雀报春图》手卷，33.5×251厘米，画面主体由梅、雀、竹、石组成，情节安排节奏感强。
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"王渊梅雀报春图，应该是是竖版的，实在放不下，就这么看吧
div画卷精绘各种姿态的麻雀126只，先以五只的飞入做为一个动态的开场，由右及左渐次展开。有的在梅树的枝头细心梳理羽毛；有的在盛开的梅花间追逐嬉戏，或俯或仰穿梭不停；有的在枝桠间唧唧喳喳、蹦蹦跶跶；有的拥挤在梅树的老干上窃窃私语，安静地享受阳光。
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"放大，看看细节
div朝阳从东方冉冉升起，鲜艳的梅花灿烂盛开，老辣的梅干穿插着碧绿的翠竹，洁白的梅花间，几株鲜红的山茶花怒放，配以茶花的绿叶。点缀得五彩缤纷。随着老梅粗壮的树干的显现和竹根对山石的咬定，一股山泉从陡峭的山崖上飞泻而下。清脆的飞瀑声、悦耳的鸟鸣声，汇成了一部和谐的迎春曲。卷末署：“若水王渊画”，钤印“澹轩”。
“乾隆题诗！”钟副会长指着五只喜鹊
画卷上画了各种姿态的麻雀126只，先以五只的飞入做为一个动态的开场。就在这五只飞入的喜鹊；梅雀一卷诗三首，妙意还因揭道渊；南枝最识好春归，羞煞海棠独以肥；梅雀偏欣晴雪夜，净明香界聚相围；其三、腊雪先春凑嫩寒，展图咏句兴无阑；江乡食履应增健，大惬予怀老者安。钱陈群进此卷，附识三绝句于后，即用其韵题卷中，仍另书以赐。辛卯新正，御笔。钤御印二：“干”、“隆”。
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div“你们看这些藏印！”周先青拿着放大镜依次看了下去，分别是：乾隆